Hayley Williams and producer Taylor York take you on a rollercoaster ride of emotions, paralleled to Williams’ own experience after her divorce in 2017. Ranging from anger and loss (“Simmer”, “Leave It Alone”), the album takes its most interesting twist when rays of hope and acceptance begin to appear (“Roses/Lotus/Violet/Iris”, “Dead Horse”, “Pure Love”). It’s not until the last track (“Crystal Clear”) that we see a fearless Williams, hopeful of the new love she has found, brought back to live with air-filled lungs and a horizon of possibilities. It also features a subtle sample of her own grandfather playing an original song he wrote for his wife (Williams’ grandmother), “Friends or Lovers”.
The track-list follows the different stages Williams went through, and can be heard and felt in the melodies, tone, lyrics and even volume of her vocals. The first part of the album greets us with a quiet, vocally-reserved, familiar-yet-new Hayley. As she sings of rage, loss, loneliness or depression, we hear a eerily-calmed, soft-toned Williams. However, as the storyline goes on, we start to notice more playful melodies. You can feel her excitement and joy in finding hope, dreaming of love and achieving acceptance. These feelings translate in the rhythm, lyrics, music, and most of all, Williams' vocals. She takes greater risks, taking us higher than before, toying with a mix of references that not everyone is familiar with, but delivers a final product that anyone can enjoy. Her journey of self-discovery surely led her to channel her inner Björk, and I love that for her (and for us, too).