Demonstrates versatility and awe to be humbled by.
Don't listen to the 2-star rating idiot called Teen_Riot_somethingorother; I'm not schizo or a paedophile, or whatever else he describes, and I think I have a diverse enough taste and appreciation for music to assume that this is among the greatest forms of work out there.
The title track is James's closest excursion to Pop he's ever going to get; pioneering the era in which drums began falling down stairs, and the media was frightening people out of their skins. The now infamous video is a personification of James's trademark acid-grin, and is director Chris Cunningham's seminal work. And should you have turned away when the granny was screamed at by the creature from the telly, then maybe it'll please you to know it's all a bit tongue in cheek - even the granny loved filming the thing - after all, anybody who takes this sort of thing seriously (Riot_ous_Teen take note) must be sick!
This album is both dark and beautiful. It is everything you expect from James with no filler.
Like all of James's works, this is not like any other album he's done; and, as usual, he's done it so well. Check out his back catalogue to hear the development of his body of work.
If you are not yet a fan of Aphex Twin, I urge you to give this album an unbiased listen from start to finish. Even if you are not a fan of electronica or indeed (though I despise the term) Intelligent Dance Music (IDM), then this is probably one of the best introductions to the field.
Stand-out tracks for me are: Flim, Bucephalus Bouncing Ball, Mummy Mix, IZ-US