I have enjoyed the range and variety of Sarah's music for many years. Hers is what I would term a 'musical theatre' voice of the highest standard, and I put this album on expecting to thoroughly enjoy it.
I listened with concern and eventually put something else on. I'm really no expert but it sounds to me that (not unreasonably) Sarah's voice has deepened over the years and the higher notes are now quite a struggle. Worse though is some of the diction. What, in the name of all that is holy is a 'Rakkwiem'? Well, I know it isn't a Requiem, but once you hear it you can't un-hear it. By the end I just felt sad- I'll stick with the older recordings, when we were both young, and listen to Sarah as I remember her...