Lawrence coming off the thought-provoking, distressing, and quite frankly, fabulously engaging performance in Aronofsky's’ film mother! had me rather intrigued to see what direction she took next, after a string of terrors *COUGHS* Passengers. The spy thriller Red Sparrow is a total disaster for everyone involved and for Lawrence in-particularly. For a film that wants to be a slow-burning methodical action thriller, it results to a boring, dull and sparse film that thinks its way too smart for its own good, and in actual fact, it spoons feeds the audience EVERYTHING. With lingering shots of specifics that are easily identifiable to be relevant, even in random moments, or the fact that a certain integral character to the plot is detectable in the first five minutes only for you to have to wait a staggering 140 minutes to be proven correct. Even the script is terrible with on-the-nose dialogue to a point that is virtually patronising, with an accent from Lawrence that is barely functional, or reliable for that matter. Do I understand the high levels of sexualisation regarding character and plot? yes, but the issue is that it becomes so irrelevant and badly constructed, that when everything is said and done, it becomes highly debatable if it was needed at all, without any resonance or relevance at all. If you wanted something far more entertaining, far more action-oriented, and a spectacle to behold with a wonderfully strong female performance, venture towards Atomic Blonde, something you won’t regret.