Heralded as the greatest film ever made on release, winning an Oscar in 1949 and topping the Sight and Sound film poll in 1952, De Sica's seminal work of Italian neorealism has had an impact on cinema worldwide from release to the present day, with filmmakers such as Satyajit Ray and Ken Loach claiming the film as a direct influence on their own films. Bicycle Thieves tells the story of Antonio, a long unemployed man who finally finds employment putting up cinema posters, for which he needs a bicycle. His wife pawns all the family linen to redeem the already pawned bicycle and for Antonio salvation has come, until the bicycle is stolen. Antonio and his son take to the streets in a desperate search to find the bicycle, which will keep them away from poverty and humiliation, but amidst a sea of bicycles and without proof, the search is fruitless. Bicycle Thieves tells us much about the position of Italians in post-War, post-Fascist Italy, as well as the relationship between father and son, told through the labyrinth of the cinematic city with De Sica's visual poetry. With pared down minimalism, eschewing studios and famous actors for real locations and non-professional actors who lived the lives they were playing, Bicycle Thieves defined the neorealist period, a small period of filmmaking that focused on simple, humanist stories, of which Bicycle Thieves was one of the most captivating and moving.